Carried by a buried sense of recognition, they run across the city streets searching for each other. Unsure of where they know each other from, they catch eyes as their trains travel parallel to each other. But the cosmic love story is moving enough to win over any anime skeptic.Īfter Taki and Mitsuha lose all memory of each other, they cross paths when the two both live in Tokyo. A Japanese animation about body-swapping teens becoming star crossed lovers sounds a bit silly on paper. Your Name is a film you just have to see for yourself. But somehow, it works in this gorgeous animation.
Many endings in the last ten years, like the films they close, will forever go down in cinematic history.Īs we come to the end of the 2010s, here are the movie endings that proved to be the most memorable and effective of the last decade.Įnding a film with the characters saying the film’s title in unison is an undeniably corny way to end a story. Still, the power of great storytelling and powerful climaxes remains the same. This decade has seen incredible change in cinema’s format and distribution. These endings defined the films themselves, staying with us long after the credits rolled. The hand emerging from Carrie’s grave, Verbal’s disappearing limp, Thelma and Louise driving off a cliff. The best endings are the ones we first think of when we hear a movie’s title. It can double down on the movie’s greatness, inspire hope, crush expectations, and even change everything that has come before it. With that said, however, especially compared to the fourth film entries in other well-known franchises, Toy Story 4 is yet another fitting and touching ending for the series.A film’s ending has the ability to do many things. And in many respects, with the continuing narrative concerned with toys and their fear of abandonment, many aspects of the film rehashed from 3. Following Woody (Tom Hanks) interact with a new band of toys (and reuniting with an old one with Bo Peep) is enjoyable and emotional, though the rest of the regular cast, for the most part, gets a little left behind. Gorgeously designed by Pixar's consistent crew, the film is beautiful to watch, and entertaining to experience. The movie, helmed by first-time director Josh Cooley, was perhaps even better than fans hoped. To the film's credit, this was not the case with Toy Story 4. The idea that the Toy Story franchise, one of those rare gems where improvement came with each and every installment, could be compromised by one production too many was rather frightening. Upon this announcement, the atmosphere was trepidatious, to say the least. The answers, for the most part, are there they just weren't necessarily the ones fans wanted, or at least weren't presented in a way they liked.īut nevertheless, 11 years later, Pixar and Disney collaborated one last time on its pioneering franchise, seemingly setting out to finish what most thought had already finished. While this debate may never tire out, the stories do come to an end during Game of Thrones. To contextualize this, when speaking to the ending of Jon Snow (Kit Harington) and Daenerys Targaryen's (Emilia Clarke) story arc, it is important to consider that its gruesome conclusion, while perhaps inappropriately rushed, was the result of a diverting path of leadership: one tyrannical and merciless, the other sympathetic and merciful. However, "The Iron Throne" itself did provide audiences with several avenue of closure, especially and importantly, for each of its major characters.
BEST MOVIE ENDINGS 2019 SERIES
But ever since the fantasy series came to a close earlier this year, the specific reaction to its bloody finale, " The Iron Throne," has been incredibly hostile – with fans, more often than not, rejecting the episode (a viral fan petition on requesting that HBO redesign and resubmit GOT's eighth season has nearly garnered 2 million supporters), and the creators and stars of the show doing their best to justify their creative decisions.
The overly contentious final season of the HBO juggernaut Game of Thronesmet the fandom communities with little more than scorn and outrage.
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